Ploen-nanofolk, 2005. Mixed media sculpture in 'Conative Object' group exhibition at York Quay Gallery, Harbourfront Centre, Toronto, Canada.

Ploen-nanofolk, 2005. Fragile, overbearing, brittle and precarious, the work shifted awkwardly in space.

Ploen-nanofolk, 2005. Hand-pinched and found ceramics were 'imported' to Toronto from Vancouver, Bangkok, Oakville and Brantford, then assembled onsite with wet slip and raw clay.

Ploen-nanofolk, 2005. Stoneware grid constructed with students in Hugh's new car kiln at Sheridan College. Sequins, wood-fired teabowl by Cathleen Nicholson.

Ploen-nanofolk, 2005. Airborne coils and tubes made with and marked by Sunipa, Herbert, Janelle and Clarence Sormin at Norfolk Potters' Guild.

Ploen-nanofolk, 2005. Hand-pinched form with nosetip on thrown & altered gallery furniture.

Ploen-nanofolk, 2005. Side view of hand-pinched form.

Ploen-nanofolk, 2005. The 'lost' corner of the table protruded on the other side of the wall.

Ploen-nanofolk, 2005. Current students, old classmates and friends from Sheridan College offered up bits of their beautifully crafted pottery and sculpture.

Ploen-nanofolk, 2005. Thrift shop figurines, glitter, earthenware and stoneware.

Ploen-nanofolk, 2005. Some objects (like Hugh Douglas-Murray's santa clauses) were so deeply embedded in the work that they will not be seen again until the form is deconstructed, re-opened.

Ploen-nanofolk, 2005. Pinched ceramic grids, discarded test tiles, found ghost ship.

Ploen-nanofolk, 2005. At once familiar and foreign to a place and in a place, how to approach home again?